![]() The jump cut sometimes serves a political use in film. ( August 2019) ( Learn how and when to remove this template message) Statements consisting only of original research should be removed. Please improve it by verifying the claims made and adding inline citations. This section possibly contains original research. It is noticeable in Universal Monsters films and music videos. It is frequently used in TV editing, in documentaries produced by Discovery Channel and National Geographic Channel, for example. Jump cuts have appeared in films like Snatch by Guy Ritchie, and Run Lola Run by Tom Tykwer. In the clip above the scene abruptly changes perspective, emphasizing a gap in action. In Godard's ground-breaking Breathless (1960), for example, he cut together shots of Jean Seberg riding in a convertible (see image) in such a way that emphasized the discontinuity between shots to create a deliberate jarring effect. Contemporary use of the jump cut largely stems from its appearance in the work of Jean-Luc Godard (at the suggestion of Jean-Pierre Melville) and other filmmakers of the French New Wave of the late 1950s and 1960s. Dziga Vertof's avant-garde Russian film Man With a Movie Camera (1929) is almost entirely composed of jump cuts. The effect was used in the early film The Tempest (1908) when Ariel magically disappears and reappears. Georges Méliès is known as the father of the jump cut, as a result of having discovered it accidentally and then using it to simulate magical tricks however, he tried to make the cut appear seamless to complement his illusions. History In Georges Méliès' 1908 short film The Tempest, jump cuts are used for some of the visual effects. Jump cuts can add a sense of speed to the sequence of events. Jump cuts can be created by editing together two shots filmed non-continuously (a spatial jump cut)-but can also be made by removing a middle section of one continuously filmed shot (a temporal jump cut). Jump cuts, on the other hand, keep the camera's relationship to the subject the same but jump forward in time in the action. Generally, if the camera position changes less than 30 degrees, the difference between the two shots is not substantial enough, and the viewer experiences the edit as a jump in the position of the subject rather than a change of point of view, which is jarring. The idea is to convey to the viewer a different point of view on the action but with the timeline of the action being continuous. Some schools would call for a change in framing as well (e.g., from a medium shot to a close up). The 30-degree rule advises that for consecutive shots to appear seamless and continuous in time, the camera position must vary at least 30 degrees from its previous position. More than one jump cut is sometimes used in a single sequence.Ĭontinuity editing uses a guideline called the " 30-degree rule" to avoid the appearance of jump cuts. Jump cuts tend to draw attention to the constructed nature of the film. For this reason, jump cuts are considered a violation of classical continuity editing, which aims to give the appearance of continuous time and space in the story-world by de-emphasizing editing, but are sometimes nonetheless used for creative purposes. This kind of cut abruptly communicates the passing of time, as opposed to the more seamless dissolve heavily used in films predating Jean-Luc Godard's Breathless, which extensively used jump cuts and popularized the technique in the 1960s. The technique manipulates temporal space using the duration of a single shot-fracturing the duration to move the audience ahead. Camera positioning on the subject across the sequence should vary only slightly to achieve the effect. JSTOR ( March 2010) ( Learn how and when to remove this template message)Ī spatial jump cut at 0:05 seconds from It's a Wonderful Life (1946) in which James Stewart's character answers a telephone.Ī jump cut is a cut in film editing that breaks a single continuous sequential shot of a subject into two parts, with a piece of footage removed to create the effect of jumping forward in time.Unsourced material may be challenged and removed. ![]() Please help improve this article by adding citations to reliable sources. This article needs additional citations for verification.
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